1. I can tune the harpsichord as well as play it.

2. Then came the quiet plangent sound of a harpsichord.

3. But Marcos chooses to stay behind the harpsichord and leggy ficus.

4. Mr Gregory will also perform harpsichord music of the baroque period.

5. Behind the harpsichord and under the window there was a low glass cabinet which contained two or three classical pieces.

6. The harpsichord comes first in the title, and Boismortier inscribed the keyboard parts with considerable flair.

7. As commonly occurs with solo harpsichord and guitar recordings, a reduced volume setting is needed to give the correct aural loudness.

8. And the harpsichord; that was lovely.

9. Quartet for Flute, Oboe, Cello and Harpsichord.

10. Harpsichord music is readily playable.

11. I needed the sound of a harpsichord, celesta to be played along with my 12 string guitar.

12. For example, in their transcriptions of harpsichord pieces the pair have to play what one person would normally play.

13. There are also 19 harpsichord suites and several variation sets.

14. After playing a little on the harpsichord, he asked for a theme.

15. One piece was the harpsichord part for the Concerto in G (molto allegro) and the other was the Prelude in G major.

16. The harpsichord with its bright(), vigorous tone was the favorite instrument for supporting the bass of the small orchestra of the period and for concert use.

17. The structure of a harpsichord, which was an early piano, was hard to comprehend.

18. It is impossible to fault the engineering on L'Oiseau-Lyre's disc of Bach works for harpsichord played by Christophe Rousset.

19. I sat in the cool, shuttered room and watched the slightly bowed bald head behind the shining black harpsichord.

20. The downstairs door must also have been open, because I could hear the clatter of the harpsichord mechanism.

20. is a sentence dictionary, on which you can find nice sentences for a large number of words.

21. Bach himself did not disdain to transcribe Vivaldi concertos for organ or harpsichord and to borrow fugue-subjects from Legrenzi and Corelli.

22. You need more power to play the piano, but the harpsichord is about precision.

23. When Cristofori built his pianos of the 1720s, the harpsichord and the clavichord were the usual stringed keyboard instruments.

24. One must simply accept these performances at face value and forget about problems of piano versus harpsichord versus clavichord.

25. Forkel, one of Bach's earliest biographers, tells us that Bach himself was not too happy whenever he had to perform particularly his polyphonic pieces on the harpsichord.

26. The piano was perfected in the early eighteenth century by a harpsichord maker in Italy(though musicologists point out several previous instances of the instrument).

27. The Franz Liszt Chamber Orchestra consists of 16 strings and according to the programmes a harpsichord soloist completes the ensemble, as well as wind and other instrumentalists.

28. The larger zither family includes such instruments as the Aeolian harp, autoharp, cimbalom , dulcimer, koto, and even the clavichord, harpsichord, and piano.

29. I merely wanted to recreate the aspects of sound in a video form, and excepting the harpsichord, the rest of the pieces of the music were actually apparent in the instrumentation.

30. The concerto is well suited throughout to showing off the qualities of a fine harpsichord and the virtuosity of its player, especially in the lengthy solo 'cadenza' to the first movement.

31. Bach's Harpsichord music is deeply affected by his organ music, so some Preludes, Fugues and the Sarabande in his Suites are filled with solemn religion spirit.

32. I like the arrangement of the song particularly the use of harpsichord and string quartet mixing irreverently a bit of blues with a very Bach inspired chordal progression.

33. There are also a number of organ music, electronic music, chamber music, piano, Harpsichord music, song and clarinet metronome 100's "Symphonic Poem" and other works.

34. Domenico Scarlatti (1685-1757) was a great composers, harpsichord performer and educator in the Baroque Era. The Three Masters in Baroque Era were Bach, Handel and Domenico Scarlatti.