1. Modigliani announced his move to Montparnasse in 1909.

2. Apparently the elderly Renoir bore Modigliani no malice.

3. Modigliani adamantly refused to admit paternity of the child.

4. Modigliani would never have stayed with a nonentity.

5. As they talked, Modigliani began to sketch her.

6. One, a nude woman after the style of Modigliani.

7. Modigliani appreciated Kisling for what he was, a sweet-natured, high-spirited, sensual young man.

8. He found her solicitude touching but Modigliani dismissed her, calling her a milksop.

9. Modigliani also tried to sell an old suitcase to an artist friend, but without success.

10. The tribute may sound fulsome, but Modigliani showed exceptional appreciation of nascent ability.

11. Yet despite the vibrant colours Modigliani captured something of the wistful yearning of his nature.

12. It seems certain that to Modigliani she acted as stimulant, irritant and catalyst for his work.

13. Modigliani arrived quite sober for the occasion but when the two painters came to discuss their work the conversation became dangerously frigid.

14. Like Modigliani, Jeanne was a romantic, a mysterious young woman with soulful blue eyes and a generous mouth.

15. But no one has suggest that Modigliani, the womanizer, was ever unfaithful to her.

16. Zamaron bought the paintings of both Modigliani and Utrillo and let them out after a sobering night in the cells.

17. Modigliani did not gossip, he was too preoccupied and always discreet about his love affairs.

18. Late at night Modigliani persuaded them all to go back to his place to continue the discussion.

19. Modigliani declined as politely but suggested to Lunia that she should come to his studio and pose for him the following day.

20. Modigliani clearly felt no empathy towards the stuffed shirt towering above his wife.

21. Modigliani disliked social gatherings but was persuaded by the promise of music to visit the couple.

22. He put a thousand-franc note on his bedside table and told the porter to let Modigliani in whenever he wanted.

23. Spring comes early to the Riviera and it made Modigliani, always sensitive to change,[/modigliani.html] more restless than ever.

24. There is no doubt that some very serious and remarkable studies have been devoted to Modigliani.

25. Early in the morning, after the Rotonde had closed, Modigliani would chase her up the street.

26. Just turned 21, Jeanne had sacrificed any hope of fulfilling herself as an artist to Modigliani.

27. After the war, most of Montparnasse would claim to have been intimate friends of Modigliani.

28. But with his damnable purity, which they all praised after his death, Modigliani insisted on going his own way.

29. But Jacques Lipchitz, who had recently married, decided to commission Modigliani to paint a wedding portrait.

30. That this should happen is no accident according to Modigliani and Miller.

31. In 1917, as if in defiance of the death and destruction all around him, Modigliani painted his most glorious series of nudes.

32. But it was Picasso who fixed the price, knowing that Modigliani would undersell himself.

33. Lipchitz remembered her coming to watch when Modigliani painted his wedding portrait.

34. He was painted by Modigliani and Picarbia in a white shirt and tiny bow tie.

35. Hashish pills cost about twenty-five centimes a day and there is no evidence that Modigliani took anything else.

36. When Hanka Zborowska arrived asking for her portrait Modigliani was shamefaced.

37. But Modigliani broke all the taboos and behaved like a modern-day King David.

38. Modigliani knew how to adapt himself to his surroundings and made a great impression on the day he came to sketch Bakst.

39. You see Modigliani among other artists who were also friends of my father.

40. What did your father appreciate most in the work of Modigliani?

41. A few days later Modigliani set him straight: My dear Friend, You're a fathead who doesn't understand a joke.

42. Blaise Cendrars witnessed a fight in which she was getting the better of Modigliani.

43. Maybe Modigliani gave them a hard time, I don't know.

44. Modigliani was among the painters who showed their work at the studio in the narrow street off Boulevard Montparnasse in 19 16.

45. He was poor himself but passionate in his conviction that Modigliani deserved a sponsor.

46. All this deeply interested Modigliani who was a remarkably cultivated and educated man, as Paul Alexandre proves.

47. That series of drawings shows that from 1906 the quality of authentic drawings by Modigliani is truly exceptional.

48. Germaine lived with her mother and Modigliani was courteous and considerate towards the older woman.

49. That collection by itself was more important than all the authentic Modigliani drawings published during my father's life-time.

50. The empirical investigations of Modigliani and Miller 2 were conducted on examples of oil and electric utility companies.

51. Modigliani and Utrillo were not difficult to enlist by this method.

52. If dividends are insignificant as Modigliani and Miller have suggested, then this requires that corporate financial officers act irrationally.

52. try its best to gather and make good sentences.

53. Well, Modigliani and Miller are leaving the room; they say it doesn't matter.

54. What Modigliani and Miller said, if it's pure dividend policy, then it is totally irrelevant; it means nothing, so companies can do whatever they please-- I don't care.

55. AMEDEO MODIGLIANI, an Italian Jew who painted mostly in France, craved many things during his short, unhappy life: hashish, absinthe, women.

56. Art thieves stole works by Pablo Picasso, Fernand Leger, Henri Matisse, Georges Braque and Amedeo Modigliani worth EUR500m from a Paris museum, French police said Thursday.

57. So this book, Fabozzi, et al.-- Fabozzi, Modigliani, Jones and Ferri-- is a very solid book about financial markets.

58. Modigliani and Miller said, we don't care what you do, do whatever you want--it doesn't matter.

59. Those eyes are in the heart of Modigliani the drawing.

60. Franco Modigliani (1985) was one of the first Keynesians to endorse an expansionary monetary policy like this under conditions of high unemployment.

61. They call in Modigliani and Miller and ask, how much should we borrow?

62. Modigliani and Miller wrote a famous article arguing that-- what I just said--I just tried to say it in very intuitive terms.

63. If we are to believe Modigliani and Miller, firm valuation is not determined by whether the firm is capitalized by debt or equity.

64. The other thing that I want to say about Modigliani and Miller is about corporate debt.

65. Modigliani is one of the authors of your textbook along with Fabozzi.

66. It is hard to look at the small blonde child on the right, her eyes expressly made creepy by the smudging of one iris, and not feel that Modigliani was trying to paint human pain itself.

66. is a online sentence dictionary, on which you can find nice sentences for a large number of words.

67. Modigliani is hot stuff in the twenties century on Paris'painting world.

68. So the principal textbook is Frank Fabozzi, the other authors are Modigliani, Jones and Ferri, Foundations of Financial Markets and Institutions.

69. So, that's the basic insight in Modigliani and Miller, that share repurchase and dividend are really interchangeable; it's just all a conceptual difference.

70. When Modigliani and Miller wrote, there was a differential tax rate between dividends and capital gains.