(1) After the polonaise, the first waltz brightened the room with its jaunty rhythm.

(2) Together with the Fantaisie Polonaise, it typically expresses his strong nationalistic beliefs.

(3) The orchestra struck up a polonaise, the lights strung on trees glistened in the garden, the tables groaned with food.

(4) S. 429, Polonaise from Eugene Onegin (1879).

(5) Chopin wrote a total of 17 Polonaise.

(6) Polonaise In G Minor Anna Magdalena Notebook.

(7) May I have the honor of the polonaise?

(8) The third part focuses on Chopin Polonaise creative writing background music for a detailed performance analysis and interpretation.

(9) The musicians played the polonaise in vogue at the time on account of the words set to it.

(10) The strains of the polonaise, which had already lasted some time, were beginning to sound like a melancholy reminiscence in the ears of Natasha.

(11) Polonaise No. 6 in A flat major, Op. 53(), Heroic.

(12) Thus, Chopin' s Polonaise is also out of the original atmosphere of nobility, become a foster patriotism by the idea works.

(13) Polonaise for Viola and Orchestra in G major (Anonymous). Viola, strings, flutes, horns, bassoon. Classical.

(14) Polonaise No. 3 in A major, Op. 40, No. 1, Military.

(15) Polonaise Sharon was first made for the noble purposes and was later transplanted to the field to the piano.

(16) Chopin's Polonaise dance music has exerted far-reaching influence on the development of music on the world-wide scale and rendered us plentiful inspirations.

(17) This chapter from Mazurken and polonaises and the origins Spectral analysis of the characteristics and specific cases to elaborate Mazurken and polonaise and embodying the spirit of the nation.

(18) The first part is quite feminine; soft and sensitive; while the second Polonaise is quite masculine. powerful and full of force.

(19) He invented the musical form known as the instrumental ballade and made major innovations to the piano sonata, mazurka, waltz, nocturne, polonaise, etc.

(20) Natasha felt that she would be left with her mother and Sonya in that minority of the ladies who were crowded back against the wall, and not invited to dance the polonaise.

(21) More than half the ladies had partners, and were taking part, or preparing to take part, in the polonaise.